4b(3)/Okra-Homa Projects presents Three or five films by Alexander Kluge. The exhibition features three or five films by the German filmmaker, theorist, sci-fi novelist, and lawyer, including The Power of Emotion (1983), The Eiffel Tower, King Kong, and the White Woman (1988), Madame Butterfly Waits (1988), and Cosmic Miniatures (2024).

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To quote Kluge quoting Heidegger: "Why do we say that time passes and not that it is created?"

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Alexander Kluge (b. 1932) is an author, filmmaker, and lawyer. His research and practice revolves around film, literature, social theory, film theory, and political action on various cultural fronts. Kluge is credited with the launch of the New German Cinema movement, and his body of work can be regarded as a continuation of the Critical Theory of the Frankfurt School. His first feature film, Yesterday Girl, won the Silver Lion at the Venice Film Festival in 1966. In 1987, Kluge founded the television production company dctp.tv, which produces independent television slots on German commercial television. In 2008, he presented the almost-nine-hour-long News from Ideological Antiquity: Marx/Eisenstein/Capital—a reinvention of Eisenstein’s unfinished project of filming Capital by Karl Marx. Alexander Kluge’s major works of social criticism include Öffentlichkeit und Erfahrung (Public Sphere and Experience) and History and Obstinacy, both co-written with Oskar Negt. His exhibitions include The Boat is Leaking. The Captain Lied (Fondazione Prada, Venice, 2017), Pluriversum (Museum Folkwang, Essen, 2017; Belvedere 21, Vienna, 2018). Together with New York poet Ben Lerner, Kluge published The Snows of Venice in 2018.